User talk:GreekStar12

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Paparizou ip[edit]

Whatever I said to that Paparizou "manager" ip worked because he apologized to me and said it was all a misunderstanding. Btw, I got a kick out of reading your response to him! Grk1011/Stephen (talk) 19:20, 12 September 2009 (UTC)[reply]

Orphaned non-free media (File:RouvasIrthesStudioVideo.jpg)[edit]

Thanks for uploading File:RouvasIrthesStudioVideo.jpg. The media description page currently specifies that it is non-free and may only be used on Wikipedia under a claim of fair use. However, it is currently orphaned, meaning that it is not used in any articles on Wikipedia. If the media was previously in an article, please go to the article and see why it was removed. You may add it back if you think that that will be useful. However, please note that media for which a replacement could be created are not acceptable for use on Wikipedia (see our policy for non-free media).

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File:RouvasIrthesRoadVideo.jpg[edit]

I have tagged File:RouvasIrthesRoadVideo.jpg as {{orphaned fairuse}}. In order for the image to be kept at Wikipedia, it must be included in at least one article. Otherwise, it will be deleted in seven days. feydey (talk) 14:53, 16 September 2009 (UTC)[reply]

Helena Goes CLubbin'[edit]

This was a promo only release and is not official discography. I think we should take it down by redirecting it, but extrapulate the relevant info like about the singles for use on other pages. Imperatore (talk) 05:54, 24 September 2009 (UTC)[reply]

Hey I skimmed through your responses quickly as I'm finally going to bed tonight lol. Anyways, Music Bazaar is a very shady, almost bootleg like site. If it's not black market then it's surely grey market. They seem to have all kinds of unnoficial things there, and they claim rights to Greek music digital sales via a Russian licencing agreement. http://www.music-bazaar.com/main.php?block=misc&page=4. They seem like a borderline scam who pocket the money, and if it's true, split the illegal profits with the aforementioned Russian organization or whatever. This Russian licence makes absolutely no sense, nor does this organization appear to have a relation with Greek AEPI (Ελληνική Εταιρεία Προστασίας της Πνευματικής Ιδιοκτησίας). I'll post more details here tomorrow, although be very vigilent about making arguments about music bazaar, since others have questioned its legality. Also notice the last paragraph of their legal statement!! Imperatore (talk) 07:48, 24 September 2009 (UTC)[reply]
Wow, I did a quick google search of this Russian organization and all the results are overwhelmingly about the legal interpretation of their practices. Bottom line SCAM and constitutes piracy (grey market at best). Here's one of the articles I briefly skimmed through which does a good job at deciphering their deceptive business practices. Notice that music bazaar quotes the same disclaimer about laws governing different countries. http://www.slate.com/id/2115868/
And finally, in response to the Rouvas and other "digital" like releases, they are obviously just fan compilations which music bazaar, being the scam site that they are, have picked up on. Fail!!
It appears as if Greece's official, industry body, fully licenced by IFPI and AEPI to conduct online administration of the labels' catalogues is MPGREEK, which in turn run their own site mpgreek.com and distribute to other official channels such as iTunes. The reason why I believe MPGREEK is the sales agent (licenced by labels via ifpi and aepi) is coz Sony's store is through them, 123play.gr (ant1 group's store) says powered by mpgreek, etc... although this is just my speculation at the moment. Regardless though, music bazaar is bullshit embroiled in the russian distribution scam. Imperatore (talk) 08:18, 24 September 2009 (UTC)[reply]

If you look at the back cover [1], it says "Promo Sampler - Not For Sale". I thought it was a nice little article I though :) Grk1011/Stephen (talk) 11:40, 24 September 2009 (UTC)[reply]

Well then, now that we now, I guess it can be merged into the promo section of Vrisko To Logo Na Zo or something. Interesting though because I read a fan discussion with one saying that it was bought physically, which must mean the physical retailer was selling it illegally as well.:0GreekStar12 (talk) 21:15, 24 September 2009 (UTC)[reply]
If people claim to have bought it legitimately, then maybe some physical copy batches might've (inadvertently) made there way to CD retail suppliers. Or it could've been that someone pirated the CD really well and supplied it to less formal retail channels (for CDs) like at periptera. Or if there never was a retail presence of it, the covers might've simply leaked from radio station or other promotional personnel who handled it. Imperatore (talk) 13:19, 25 September 2009 (UTC)[reply]

Rouvas EPs[edit]

The EPs seem a little random at the moment. For example, how can we consider Monadikes Erminies his "third EP", when in fact, newspaper releases have been a common practice for more than decade??? A hot commodity like Rouvas has likely seen a number of back catalogue newspaper releases, especially from his Universal catalogue, as it's an easy way for his former company to cash in on his continued fame. I know I have seen a number of Rouvas newspaper compilations over the years, many of them mini EP style. Moreover, we should limit ourselves to official- retail- discography. Imperatore (talk) 22:37, 26 September 2009 (UTC)[reply]

I think we may have already talked about this and we came to the conclusion that it was not an EP (especially because of its length) and we agreed that we would make some change to it but I haven't gotten around to it yet because there were some other album-oriented things that I wanted to do for Rouvas and thus I just decided to leave it alone for the time being since its not really one of the first articles you would read about him. Anyway, I have also seen many promo/EP/album releases in newspapers, but I know that the first two EPs are legitimate, especially the Dance Mixes which I bought and had a remix that was promoted at that time. I don't know what to do with Monadikes Erminies for the time being, but I think that some of these newspaper/limited edition articles could be made/kept if they were done in the right perspective. What I mean, for example, is that while there are some random releases, I Hrisi Diskothiki (Espresso) and Monadikes Erminies (Eleftheros Typos) ie. are a long-running album series that feature many artists. Unfortunately, for various reasons not linked to notability, there are no articles for these newspapers, although in theory there should be. In that case, the album series should be mentioned as it is something that is unique to their press and if there were individual album pages they should moreso be considered as the press material's project rather than an artist's official release, no what I mean? Well, the album series themselves are in one way notable because they have become established and have permission from the labels and not just the older songs. ie Monadikes Erminies was actually licensed by EMI. We can do something to it to change it from EP, but...? GreekStar12 (talk) 23:35, 26 September 2009 (UTC)[reply]
Yep, of course they are fully legit and, due to their very nature (being in a newspaper), they garner press attention/promotion lol. I definitely see that we need to find a way to address these as a seperate component to their official discography, somehow linking it to their press as you mentioned. Btw, I keep on forgetting to ask you- do you have MSN messenger? Imperatore (talk) 00:32, 27 September 2009 (UTC)[reply]
No I don't actually, sorry :P Grk1011 and Greekboy kept bugging me about it and they eventually thought that I was just ignoring them but I wasn't, I just don't use it, lol. GreekStar12 (talk) 00:41, 27 September 2009 (UTC)[reply]
Oh alright then there was just something i wanted to share with you :P. Would you be interested on another IM platform or possibly email or whatever? Imperatore (talk) 00:45, 27 September 2009 (UTC)[reply]

Karvelas albums[edit]

I fixed up the labeling on Karvelas' album pages you made to accurately reflect release company, labels (imprints), as well as month of release and certification data i obtained from the "elliniki diskografia" database I have. Imperatore (talk) 20:59, 28 September 2009 (UTC)[reply]

I found it a little weird too that the database indicates gold and platinum numbers for levels not the standard ones we now, as indicated in on the Greek Albums Chart page. I'll have to look into it further and let you know. As for the labeling, its actually not that hard if you have a timeline of the music industry. Sony Music was born in 1991, before it was CBS until it was sold to Sony in 1989 (changed name on jan1, 1991). Also, outside of the US and Canada, CBS did not have the Columbia label. It was an EMI label until 1990 when CBS acquired it from EMI for outside US and Canada, and beginning on Jan1, 1991 (sony music birth) columbia was used all over the world by sony. Hence outside US and Canada, like in Europe/Greece, until 1990 Columbia was under EMI. Indeed Greek EMI which was known as EMIAL until 1991 as well (until it merged with Minos in 1991 to for Minos-EMI) used COlumbia label until it was passed to Sony globally that year in 1991. Hence it was impossible for Karvelas to be Columbia Greece pre-1991 since we know they weren't on EMI Greece (EMIAL). In fact, Vissi and Karvelas left Columbia EMI after they got sued by that company for forming CarVi against Vissi's contract in early 80s lol- definitely they both left for CBS! Imperatore (talk) 22:36, 28 September 2009 (UTC)[reply]
As for a possible explanation why your source indicates all "columbia", it's probably because the source is a compilation of all the CDs put out, which were probably issued on CD for the first time in the 90s, hence the CBS repertoire would be reissued on sony music/columbia in the 90s... Imperatore (talk) 23:05, 28 September 2009 (UTC)[reply]


Non-free use disputed for File:VandiAgapivideo.jpg[edit]

Thanks for uploading File:VandiAgapivideo.jpg. Unfortunately, I think that you have not provided a proper rationale for using this image under "fair use". Please read the instructions at Wikipedia:Non-free content carefully, then go to the image description page and clarify why you think the image qualifies for fair use. Using one of the templates at Wikipedia:Non-free use rationale guideline is an easy way to ensure that your image is in compliance with Wikipedia policy, but remember that you must complete the template. Do not simply insert a blank template on an image page. Note that the image description page must include the exact name or a link to each article the image is used in and a separate rationale for each one. (If a link is used, automated processes may improperly add the related tag to the image. Please change the fair use template to refer to the exact name, if you see this warning.)

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File:VandiGiaOriginalvideo.jpg[edit]

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File:VandiGiaVideo.jpg[edit]

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Duress[edit]

Made some obvious updates to the Duress page, clarifying the type of movie and its screenings and distribution. One thing I think is BS is about sources like Esctoday saying Rouvas was in Cannes where it was screened. I looked at the Cannes repertoire for 2009 (a complete pdf file) and it was nowhere to be found. Do we know for sure Sakis was in Cannes, and if so, what is for the screening of Duress specifically?? Since Cannes is the world's major film destination, it could be that it was not part of the mainstream Cannes Film Festival, but just screened there with no relation to the festival (like at a trade show - since it's a general industry hub).

Orphaned non-free image (File:PloutarhosMikresFotografies.jpg)[edit]

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Thanks for uploading File:PloutarhosMikresFotografies.jpg. The image description page currently specifies that the image is non-free and may only be used on Wikipedia under a claim of fair use. However, the image is currently orphaned, meaning that it is not used in any articles on Wikipedia. If the image was previously in an article, please go to the article and see why it was removed. You may add it back if you think that that will be useful. However, please note that images for which a replacement could be created are not acceptable for use on Wikipedia (see our policy for non-free media).

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Laïka/Modern Laïka[edit]

Modern Laïka redirects to Laïka which is described as modern Greek music. I feel like our use of the two genres is a little foggy. My impression is that Modern Laïka is more upbeat than regular, but I don't know where the line is drawn. Are both terms actually used in everyday life or is Modern Laïka sort of made up because of common sense? I feel like the article could use a little expansion to be up to par with other genre articles if you know anything about it. Grk1011/Stephen (talk) 17:05, 3 October 2009 (UTC)[reply]

It is good that you mention this b/c I think that there needs to be certain clarifications on this. Personally, I have always had a problem with the genres for Greek singers here on wiki b/c I did not think that they were representative since pretty much all of the singers from the 80s to present were categorized under modern laika, pop, dance. First off, the reason why it redirects as you probably know has nothing to do with definition or notability, but just do to the fact that the articles do not exist like many Greek articles do not exist. Both terms are used and are their own seperate genres – comparatively think of Rhythm and blues and contemporary R&B. It's slightly different b/c in this case both are shortened to R&B, although a lot of the time in Greece it is just shortened to laiko as well. The official name of the modern stuff is synghrono laiko, so it really should be called contemporary laika. Anyway, I think we should go through all of the Greek music genres:
  • Rebetiko - Oldest genre of modern Greek music, prominent pre-WWI but made a revival in the 60s. Characterized by full string orchestration, especially high tones (baglama). Best example: Sotiria Bellou, Vasilis Tsitsanis, Giorgos Zambetas
  • Dimotiko - A classical genre associated with the church, heavy in sound, more than often chanted. Technically, it would be the Greek equivalent of gospel music. It is not really made for mainstream distribution.
  • Paradosiako - Basically translates to Greek folk music; it is similar to laiko in a way but is more centered towards traditional dance music rather than mainstream listening, and is often region-centric. The instrumentation often includes things other than the typical Greek strings, such as clarinet.
    • Nisiotiko - A subgenre of paradosiako which originates from Greek islands, most prominently used as dance music, but also used in mainstream music. Best example: Giannis Parios "Ela Na Pame S'ena Meros".
  • Entechno - This is really more a style than a genre. These songs may be of varying genres, but are characterized as being "art songs", meaning that they rely more on quality of the song rather than instant radio hits, with these songs also often possessing less trivial lyrics than other genres. However, many of them are just love songs that are characterized as ballads or being of a slower tempo. They are lullaby-esque, and vocally they are performed piano (softly) at a constant pace that does not usually range in notes or volume. Best example: Haris Alexiou (later work and ballads), Eleftheria Arvanitaki (closer towards the laiko angle), Michalis Hatzigiannis (closer towards the pop angle), and Filippos Pliatsikas (closer towards the rock/alternative angle)
  • Laiko - Basically the popular Greek music of the 20th century and beyond; technically equivalent to pop music. It is in a way similar to the previous genres, however is more up-to-date and more universal rather than region-centric. It is characterized by its heaviness, fullness in volume of voice without much change in dynamics (volume), and string orchestration, mostly focusing on the low tones (bouzouki). It can easily be upbeat and is often used as dance music, while the lyrics almost always center around relationships, or might be tinged with sadness. Best examples: Angela Dimitriou, Paschalis Terzis
    • Elafro laiko - Soft laiko in translation, it is true laiko lacking of Western elements, however it is characterized by a softer sound, often provided by the vocals of the artists. Best example: Giannis Parios, Giannis Ploutarhos
    • Zeimbekiko - A subgenre of laiko, it is characterized by its heavy sound and powerful, deep vocals that often stay at the same volume such as in laiko, however the genre is usually reserved for men and usually older artists. It is the music that the iconic Greek "freestyle" (drunk) dancing is done to. Best example: Dimitris Mitropanos, Stelios Kazantzidis, but sometimes also younger artists such as Notis Sfakianakis and Antonis Remos.
    • Contemporary laiko - Also called pop-laiko, it is pretty much the main music genre of artists from the 1980s to present. There are many similarities between this and laiko vocally and musically, although the main difference is that it is generally lighter and the lyrics can often be a little more trivial. The songs also usually have some minor Western elements that distinguish them from their authentic counterparts. Best examples: Peggy Zina, Marianda Pieridi, Elena Paparizou, (also pop-folk), Despina Vandi (work post-Profities, also laiko, pop-folk), Anna Vissi (work since late 1990s, also laiko, pop-folk)
      • Pop-folk - (see Pop-folk) Fairly similar to contemporary laiko, with the same performers, it is moreso valued for its danceability rather than quality and is seperated from contemp. laiko merely by the lack specifically of bouzouki, etc., such as Chrispa's "A Chance to Love". Thus this type of music is more Balkan-oriented than unique to Greece. These are your typical "Dum Tek Tek"-style songs and are often criticized for the cheap production style, very trivial lyrics, mostly focusing on relationships, and also for the lack of the performer to show any significant vocal capabilities, although often the performers themselves are not considered to be the most vocally inclined. Although it is a Balkan trend, in some cases it is more cultural, such as the Turkish artist Tarkan.
    • Skiladiko - This is more of a style rather than a genre and most of these fall under the contemporary laiko/pop-laiko genre. Characterized by its low quality of production with the singers often performing at "skiladiko" venues that are defined as being kind of cheap dance clubs with the plate and flower throwing. The vocalists have also often been pinned as having lower quality vocals and singing about very trivial subjects. Best example: Lefteris Pantazis.

Classifications Well, here are my classifications on a few artists that you were probably thinking about. Many artists have been proclaimed pop singers in Greece by the media or whatever, but this is mostly untrue and pop music is often a backing genre. Just a few searches on some album reviews and there is a lot of available information.

  • Anna Vissi - Laiko and contemporary laiko are a definite; pop-folk, and pop/dance are also appropriate. The thing is that many of these contemporary laiko singers often try to follow trends and try to give off pop images. Many of them also often release the pop songs from their albums as singles but a good majority of the album is laiko. Vissi may be often cited as a pop star, and while it is true that she (unlike many of the other artists) is notable in pop and has had numerous songs and success, she is mainly rooted in contemp. laiko.
  • Despina Vandi - All of her first three albums can safely be labeled as laiko and nothing else. She began doing some more Western sounds in Profities, with "A Pa Pa" falling under contemporary laiko. However, songs like "Sta Dosa Ola" and "Lathos Anthropos" and many others since are also laiko. Although she has experimented with some pop tunes, it is not really all that notable enough for her as the majority of her work is laiko.
  • Antonis Remos - Mostly laiko and zeimbekiko, some contemporary laiko, very few songs are pop.
  • Antique - 90% of their work was contemporary laiko, despite the infusion of house/disco music. The songs "Me Logia Ellinika" and "Kainouria Agapi" are definitely laiko. Very few songs of theirs are pop.
  • Notis Sfakianakis - Mostly laiko and zeimbekiko, some contemporary laiko.
  • Michalis Hatzigiannis - Mostly entechno/traditional pop, some contemporary laiko and very few pop rock. However, his music has included many more bouncy pop songs since Akatallili Skini (see 7 album reviews).
  • Peggy Zina - Mostly contemporary laiko although some laiko. Pop is a backburner genre, and she is definitely more laiko than most of the other female singers her age.
  • Elli Kokkinou - Mostly contemporary laiko, some laiko and pop folk. Hardly any pop.
  • Katy Garbi - Laiko and contemporary laiko or pop-folk, very few pop.
  • Elena Paparizou - Mostly contemporary laiko/pop-folk (incl. "My Number One"), otherwise dance. Even some of her more adventurous work, such as "I Kardia Sou Petra", for example, still contains contemporary laiko elements.
  • Giorgos Mazonakis - Mostly laiko and some contemporary laiko, along with some random genres at times ("Mila", "To Gucci Forema")
  • Christos Dantis - Mostly contemporary laiko, although sometimes he follows a more rock pattern.
  • Natassa Theodoridou - Mostly laiko. Went through a slightly more pop phase during one album.
  • Chrispa - Mostly laiko, some pop-folk, pop is not that notable.

The truth is that most of the Greek artists cannot be considered pop artists; the only high-profile artist that can truly be identified as a full-time pop singer is Sakis Rouvas. However, I would definitely consider some younger artists such as Tamta to be pop singers, b/c as I know of, she really has not sung anything else. There are also a number of alternative bands and groups that are not as successful or notable that I would really rather not get into right now since most of their articles don't exist anyway. GreekStar12 (talk) 23:29, 3 October 2009 (UTC)[reply]

Thanks so much for the explanation, it is VERY helpful. I think I'll copy it on to a subpage of mine for future reference. I did read it right away, but I wasn't able to thank you since I've been so busy with school and other stuff that I haven't been able to do more than simple reverts for the past week. Grk1011/Stephen (talk) 21:32, 8 October 2009 (UTC)[reply]
Hey, I also read this shortly after you posted and I wanna commend you on a great job! I'm not too sure though about some of the descriptions you gave. For example, "elafrolaiko"- isn't it a more watered down version of laiko with western elements? And I would've never thought of Ploutahos or Parios as examples. Secondly I never thought of zeibekiko as a genre, but more as of a style of type of song, within laiko. Furthermore, a longstanding issue on wiki I've wanted to bring up is this strange distinction between laiko and laika (singular - plural) describing them as two different genres. Any thoughts? Imperatore (talk) 18:36, 9 October 2009 (UTC)[reply]
Thanks. Something we should remember now is that Greeks have a very loose understanding and classification of genres. ex: I remember seeing Dima Bilan on TV in 2008 and he told them that his music was mostly R&B and they asked him if he was a rapper. They just don't distinguish, unlike in the Western world. If you see artist pages here, they will include a few main genres, but then if you visit their song/album pages, the genres are very specific and abundant. It really just depends how some classify elafrolaiko. Some might use it to describe the laiko w/ western elements, but that's just contemporary laiko, to be correct, and this is the correct term that is also recognized by awards shows (MAD, Arions). What I meant by elafro laiko is that it is much "balladier", comparative to soft rock. It has the laiko instrumenation but is not as "ding dong pluck pluck" as laiko (compare Ploutarhos to Terzis). Anyway this is very specific and a destinction that I was trying to make, and it while it is used sometimes, it really hasn't caught on as a description as much as the other ones, so we'll probably never use it. I am comfortable calling Ploutarhos laika, but I get a little confused with Parios, b/c from what I have heard, he never really got into the rebetiko revival thing like Dalaras and Alexiou, he's not necessarily "entehno" solely, but he's not heavy enough to be laiko. Moving on, entehno is really just a style and can encompass many different genres (see above) but in Greece it is treated as a genre and is its own category at awards shows. Zeimbekiko however, is not really a style, it is a subgenre like hard rock is to rock. Generally, only generalized genres are supposed to go on artist pages and the specific ones on album/song pages ie hip hop instead of west coast hip hop and gangsta rap, except in a case if the artist is exclusively ie pop rock and does nothing else. This prevents the genres section from becoming huge. However, I think some of these rules are very American artist-oriented and for Greek artists, it would be appropriate to put all three laiko, contemporary laiko, and zeimbekiko if they fit under these genres. I think this should be done b/c for international artists we are working with all of the genres of the world, while for Greek artists these are the genres we are working with and in order to give a full impression of their music, it is necessary since most do not have their own song pages. As far as the singular/plural issue they shouldn't be presented as diff genres, although I noticed that the tendency is to write laiko with the accents for the authentic stuff and laika for the modern. I've written it laika myself on many occasions, but I think it is mostly informal language, referring to "the popular stuff" and is how it would be said in speech (ie: Μου αρέσουν τα λαικά τραγούδια). It may be appropriate to change the existing ones to laiko b/c it is singular and is credited this way in awards shows and also in stores like Musical.gr GreekStar12 (talk) 00:15, 11 October 2009 (UTC)[reply]
I have now merged the laika article into the laiko article. I pretty much had the same suspicion all this time- that it was nothing more than speech convention. Also we have a bit of dilemma with new Hrispa "shocker" album Mehri Edo. If you haven't heard the album, I suggest you take a quick listen off youtube, since she collaborated with Korkolis and Roussi, and the sound is definitely more entehno, inline with other works from Korkolis, albeit with a more pop-like edge if I may say so... So far I have put entehno as the genre, but I feel that it could use some subgenres and/or styles, since as you mentioned, entehno is not really a genre per say, but as I see it it's more as a category/grouping of songs from their laiko counterparts based on other non-genre rationales (like sociological, etc..) Imperatore (talk) 16:44, 11 October 2009 (UTC)[reply]


Welcome to WikiProject Guitarists[edit]

--Spike Wilbury talk 15:38, 5 October 2009 (UTC)[reply]

Genres cont'd[edit]

Sorry for not specifying the full name and catching you off guard, but everyone confuses those two, especially in translit. writing where there is no accent lol. I do not believe this is a big shift for Hrispa, at least from a purely musical sense (perceptions aside), since her previous album with Pegasos had some similar sounding songs, like the album's title song "Kathreftis". But of course we did not end up labeling that album entehno, since the perception dilemma on the classification of the genre is analogous to Rouvas' "S'eho erotefti". Also I believe that a large part of Protopsalti's work with Korkolis had a more poetic slant to the lyrics, whereas Hrispa's lyrics employ everyday "modern" language. What's your final verdict on the genres though- do we just leave it at "entehno"? Also, for my own interest, do you mind identifying which song(s) you felt are more laiko inspired?

As for the new globalized music scenes emerging in Greece, I wouldn't mind at all to classify them under non-Greek "global" genres, as well as making separate "hip hop" subcategories under Greek music categories. Whereas the majority of pop songs are by artists routed in laika (other than Rouvas, Tamta, as you mentioned), these new emerging scenes are instead prompted by the globalization/transnationalization of music, therefore they lack a linear progression from genres of "Greekness". I know this may begin to sounds like a greater debate, but the fact is it's no surprise that cultural expressions like music witness unprecedented transformations in the 21st century by greater phenomenons of interconnectedness, much like we hear in Greek music.

Notable exceptions are when the hip hop artists, in their savvy attempts to make extra $$$, decide to tap into the conventional mainstream Greek music scene by arranging duets with laiko artists and by infiltrating the bouzoukia and the megales pistes of Athens. For those duets, they are nothing more than fusions, and we can say: hip hop & laiko, etc.. Imperatore (talk) 18:10, 11 October 2009 (UTC)[reply]

Here's some captivating photos I wanted to share :P http://www.flickr.com/photos/nikant/tags/minosemi/ and http://www.flickr.com/photos/sergio_s/sets/72157614209045349/ .
Oh thanks! Those are really nice! GreekStar12 (talk) 20:31, 15 October 2009 (UTC)[reply]

THANKS[edit]

HI!! THANKS FOR EDITING A PAGE THAT I CREATED. NICE TO KNOW THAT YOU ARE A MUSIC LOVER LIKE ME. —Preceding unsigned comment added by Raj.delta (talkcontribs) 17:00, 15 October 2009 (UTC)[reply]

Instant messaging[edit]

I think it's about time for you to make an instant messaging account. me, imperatore, and greekboy all have AOL Instant Messenger so it would be a lot easier to discuss changes and updates without going back and forth on talk pages. It's free and it's not like you have to give any personal information to have an account. If you decide not to make one, at least turn on the email option in preferences so we can contact you that way. It comes as an email from wiki, so we won't know your real email address too if that was a privacy concern of yours. Grk1011/Stephen (talk) 17:07, 16 October 2009 (UTC)[reply]

Orphaned non-free image (File:PaparizouAnditheseisvideo.jpg)[edit]

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Orphaned non-free image (File:MJInvincibleGreen.jpg)[edit]

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Orphaned non-free image (File:PaparizouStinKardiaMouMonoThlipsivideo.jpg)[edit]

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Orphaned non-free image (File:MJInvincibleBlue.jpg)[edit]

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Orphaned non-free image (File:MJInvincibleRed.jpg)[edit]

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Orphaned non-free image (File:MJInvincibleOrange.jpg)[edit]

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Orphaned non-free image (File:ProtereotitaEuroEdit2Disc.jpg)[edit]

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Orphaned non-free image (File:PaparizouKatseKalavideo.jpg)[edit]

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WikiProject Eurovision Newsletter - September and October 2009[edit]

Note: the Newsletter is "collapsed" for convenience. To see the full letter, click on the "show" button at the right end of the gray bar.

If you are no longer interested in WikiProject Eurovision then please remove your name from this list. This Newsletter was delivered by Grk1011/Stephen (talk) 19:37, 1 November 2009 (UTC)[reply]

About Mando's Discography.[edit]

Hey GreekStar. If I remember correctly, I asked a person I used to know from a forum to inform me about Mando's sales and chart peaks in Greece and Cyprous. I was sent an e-mail with the info that you can see in that page. Nevertheless, I am not sure at all about their validity. If you feel that they are incorrect, then please edit. :) —Preceding unsigned comment added by Mysterious Spy (talkcontribs) 17:05, 18 November 2009 (UTC)[reply]

Sakis Rouvas Peer review[edit]

You are very welcome, thanks for all of your hard work here! Ruhrfisch ><>°° 03:40, 25 November 2009 (UTC)[reply]

I would look at model FA biography articles, and see how they do it, for example Ernest Shackleton puts dates at the end. My preference is for dates at the end as the events are what determines the sections / divisions, and the dates are just more information. However you decide, I agree that it is good to be consitent. If this is amicable, perhaps a third opinion would be the way to go? Everyone has to agree to abide by it beforehand though. Ruhrfisch ><>°° 05:19, 25 November 2009 (UTC)[reply]

Orphaned non-free image File:AlterEgofuneralshot.jpg[edit]

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File:LK 5 DVD Edit.jpg listed for deletion[edit]

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File:Apagorevmeno Summer Tour.jpg listed for deletion[edit]

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WikiProject Eurovision Newsletter - November and December 2009[edit]

Note: the Newsletter is "collapsed" for convenience. To see the full letter, click on the "show" button at the right end of the gray bar.

If you are no longer interested in WikiProject Eurovision then please remove your name from this list. This Newsletter was delivered by xenobot 14:39, 9 January 2010 (UTC)[reply]

3RR[edit]

You have violated the WP:Three revert rule on the Sakis Rouvas article, so I am forced to notify the Administrator's noticeboard. Greekboy (talk) 09:54, 15 January 2010 (UTC)[reply]

The 3RR case has ended with a warning to you, since you made four reverts in 24 hours on 15 January. The full report is at WP:AN3#User:GreekStar12 reported by User:Greekboy (Result: Warned). Please do not continue to revert tags. If you disagree on whether something is sourced, make your case on the Talk page for why it really is sourced, or is so obvious that no source is needed. If the article contains WP:PEACOCK language, the phrase can either be removed or it can be fixed by rewriting. If people won't cooperate, the article may need to be fully protected. EdJohnston (talk) 05:46, 17 January 2010 (UTC)[reply]

Unreferenced BLPs[edit]

Hello GreekStar12! Thank you for your contributions. I am a bot alerting you that 1 of the articles that you created is tagged as an Unreferenced Biography of a Living Person. The biographies of living persons policy requires that all personal or potentially controversial information be sourced. In addition, to ensure verifiability, all biographies should be based on reliable sources. If you were to bring this article up to standards, it would greatly help us with the current 938 article backlog. Once the article is adequately referenced, please remove the {{unreferencedBLP}} tag. Here is the article:

  1. Kostas Kapetanidis - Find sources: Google (books · news · scholar · free images · WP refs· FENS · JSTOR · TWL

Thanks!--DASHBot (talk) 11:14, 25 January 2010 (UTC)[reply]


Disputed non-free use rationale for File:ProtereotitaEuroEdit2Disc.jpg[edit]

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Disputed non-free use rationale for File:PaparizouAnditheseisvideo.jpg[edit]

Thank you for uploading File:PaparizouAnditheseisvideo.jpg. However, there is a concern that the rationale provided for using this file on Wikipedia may not meet the criteria required by Wikipedia:Non-free content. This can be corrected by going to the file description page and adding or clarifying the reason why the file qualifies under this policy. Adding and completing one of the templates available from Wikipedia:Non-free use rationale guideline is an easy way to ensure that your file is in compliance with Wikipedia policy. Please be aware that a non-free use rationale is not the same as an image copyright tag; descriptions for files used under the non-free content policy require both a copyright tag and a non-free use rationale.

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Disputed non-free use rationale for File:PaparizouKatseKalavideo.jpg[edit]

Thank you for uploading File:PaparizouKatseKalavideo.jpg. However, there is a concern that the rationale provided for using this file on Wikipedia may not meet the criteria required by Wikipedia:Non-free content. This can be corrected by going to the file description page and adding or clarifying the reason why the file qualifies under this policy. Adding and completing one of the templates available from Wikipedia:Non-free use rationale guideline is an easy way to ensure that your file is in compliance with Wikipedia policy. Please be aware that a non-free use rationale is not the same as an image copyright tag; descriptions for files used under the non-free content policy require both a copyright tag and a non-free use rationale.

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Rouvas projects[edit]

WikiProject Dance: A few Wikipedians have gotten together to make some suggestions about how we might organize data in articles about Dance. Here are some articles they deal with: 18th century dance - 20th century ballet - American folk dance - Ballet comique - Canadian step dance - Country Western Dance International. It's dance moves and competitions, not singers.

WikiProject Gymnastics: Some have formed this collaboration resource and group dedicated to improving Wikipedia's coverage of gymnastics, including the organization of information and articles on this topic area. Articles: European Championships, National championships by country, Other notable competitions, Gymnastics routines.

WikiProject Electronic music: This project seeks to categorize, organize and expand articles dealing with electronic music.

WikiProject Rock music: The Rock music WikiProject is a project, created on June 17, 2006, that helps to assemble editors interested in rock subgenres.

WikiProject Television: This is to guide the structure and normalize the standard of articles dealing with the Television medium and television series or other forms of episodic programs.

As you can see, Rouvas fits into none of these projects and they were removed for good reason. If you would like to have them included, please explain why I am "way off". Grk1011/Stephen (talk) 16:23, 6 February 2010 (UTC)[reply]

Please respond to this on the Rouvas talk so it can be a centralized discussion. Grk1011/Stephen (talk) 19:29, 6 February 2010 (UTC)[reply]

Sources and fact issues[edit]

Hey, I just want to remind you that for every fact added to an article, there should generally be a source at the end of that specific sentence. I have noticed that you have not done some in quite a few instances, which leads us to have an article lacking adequate sourcing right from the beginning. Also it seems you are presenting rumors in some cases, as facts. Like that Paparizou wanted to perform on X-Factor but Sony did not let her. Or that the new album will include MAD songs, even though it has not officially been confirmed by Sony or Paparizou or anyone related directly to the album. Greekboy (talk) 08:25, 25 February 2010 (UTC)[reply]

WikiProject Eurovision Newsletter - January and February 2010[edit]

Note: the Newsletter is "collapsed" for convenience. To see the full letter, click on the "show" button at the right end of the gray bar.

If you are no longer interested in WikiProject Eurovision then please remove your name from this list. This Newsletter was delivered by xenobot 14:01, 4 March 2010 (UTC)[reply]

Orphaned non-free image File:VandiGardenofEdenTurkey.jpg[edit]

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Orphaned non-free image File:PaparizouTreliKardiavideo.jpg[edit]

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Orphaned non-free image File:VandiGardenofEdenUkraine.jpg[edit]

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Orphaned non-free image File:PaparizouAnapanditesKliseisvideo.jpg[edit]

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Orphaned non-free image File:VandiSpecialEditionVol2.jpg[edit]

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Orphaned non-free image File:VandiGiaSpain.jpg[edit]

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AfD nomination of Sakis Rouvas European Tour and others[edit]

An editor has nominated one or more articles which you have created or worked on, for deletion. The nominated articles are Sakis Rouvas European Tour, Untitled English Album (Sakis Rouvas). We appreciate your contributions, but the nominator doesn't believe that the article satisfies Wikipedia's criteria for inclusion and has explained why in his/her nomination (see also Wikipedia:Notability and "What Wikipedia is not").

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Please note: This is an automatic notification by a bot. I have nothing to do with this article or the deletion nomination, and can't do anything about it. --Erwin85Bot (talk) 01:11, 18 April 2010 (UTC)[reply]

An editor has nominated one or more articles which you have created or worked on, for deletion. The nominated articles are I Megaliteres Epitihies + Kai Se Thelo, The Ballads (Sakis Rouvas album). We appreciate your contributions, but the nominator doesn't believe that the article satisfies Wikipedia's criteria for inclusion and has explained why in his/her nomination (see also Wikipedia:Notability and "What Wikipedia is not").

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Please note: This is an automatic notification by a bot. I have nothing to do with this article or the deletion nomination, and can't do anything about it. --Erwin85Bot (talk) 01:16, 27 April 2010 (UTC)[reply]

AfD nomination of Alexandra Zakka[edit]

An editor has nominated one or more articles which you have created or worked on, for deletion. The nominated article is Alexandra Zakka. We appreciate your contributions, but the nominator doesn't believe that the article satisfies Wikipedia's criteria for inclusion and has explained why in his/her nomination (see also Wikipedia:Notability and "What Wikipedia is not").

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Orphaned non-free image File:RouvasIMegaliteresEpitihies2008.jpg[edit]

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Orphaned non-free image File:Rouvas The Ballads.jpg[edit]

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Thank you. DASHBot (talk) 01:01, 9 May 2010 (UTC)[reply]

10 Hronia Mazi[edit]

Please refrain from making moves in the future, especially drastic ones concerning namings that have been discussed before, with out proper consensus or talk. There was a consensus on the naming of this album two years ago, that is archived on the album's talk page for this very reason. Thank you. Greekboy (talk) 22:03, 12 May 2010 (UTC)[reply]

I don't really consider this a drastic move when it is written like that on 1. the album cover 2. all MAD sources, including the videos of individual songs, (so this makes it pretty obvious), as well as the title it charted under in IFPI. It's not a stylistic issue, MAD calls the song "10 hronia mazi", but obv that's not the title of the album. GreekStar12 (talk) 22:14, 12 May 2010 (UTC)[reply]

File:Tamta_Rouvas_Tharros_I_Alitheia.jpg[edit]

I have tagged File:Tamta_Rouvas_Tharros_I_Alitheia.jpg as {{orphaned fairuse}}. In order for the image to be kept at Wikipedia, it must be included in at least one article. Otherwise, it will be deleted in seven days. Melesse (talk) 05:01, 15 May 2010 (UTC)[reply]

File:Rouvas_Politia_2010.jpg[edit]

I have tagged File:Rouvas_Politia_2010.jpg as {{orphaned fairuse}}. In order for the image to be kept at Wikipedia, it must be included in at least one article. Otherwise, it will be deleted in seven days. Melesse (talk) 08:25, 26 May 2010 (UTC)[reply]

Hey hey[edit]

Star, I hope all is well! It's been a while since you were last on AIM and I've been waiting forever for your critical assessment on various new releases :( . Also pending is a discussion on going forward with Rouvas GA of course, among several other things. Please appear soon!! Imperatore (talk) 00:58, 29 May 2010 (UTC)[reply]

Hey Star, yes I'm still around, albeit a lot less often. I was trying to reach you in the summer cause I was in your area again :P. Come on AIM or something :). Imperatore (talk) 18:29, 30 September 2011 (UTC)[reply]

"Songs written by" categories.[edit]

Many thanks for adding several of these categories. However, each category should be supported by an article, in some of the cats you have created there is no article about the songwriter which means the category could be deleted at any time. Do you have the resources to create the articles to save the categories? Cheers. --Richhoncho (talk) 06:15, 13 July 2010 (UTC)[reply]

Well these are all acts that have written on multiple albums or in some case are also performers and would merit their own article. I'm sure it would be easy to find sufficient sources on them, but the main problem is that there are so many Greek articles that need to be made, including for much more notable acts and it is s/t that is being worked on. GreekStar12 (talk) 20:03, 13 July 2010 (UTC)[reply]
Not disputing the notability of the writers. It's just that cats should be supported by an article, and without that you might find another editor nominates for deletion, which defeats your objective. Cheers. --Richhoncho (talk) 22:18, 17 July 2010 (UTC)[reply]

Orphaned non-free image File:RouvasHroniaPolla.jpg[edit]

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Thank you. DASHBot (talk) 05:29, 28 July 2010 (UTC)[reply]

AfD nomination of Hronia Polla[edit]

An article that you have been involved in editing, Hronia Polla, has been listed for deletion. If you are interested in the deletion discussion, please participate by adding your comments at Wikipedia:Articles for deletion/Hronia Polla. Thank you.

Please contact me if you're unsure why you received this message. Aspects (talk) 19:20, 28 July 2010 (UTC)[reply]

WikiProject Eurovision Newsletter - March through July 2010[edit]

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Article length[edit]

You do realize that the Elena article is only 91kb long while Rouvas' is 133kb and Michael Jackson's is 197kb? According to WP:SIZERULE, the article probably should be shortened if greater than 60kb, but over 100kb it definitely should. Being only 91kb, size is not a concern at the moment. Considering that Jackson is a featured article at 197kb, I think its safe to say that Elena's page has plenty of room to expand. Whether it is necessary considering the length of her career is another story. Grk1011/Stephen (talk) 16:48, 7 September 2010 (UTC)[reply]

Orphaned non-free image File:BrinckBelieveAgainsingle.jpg[edit]

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Thanks for uploading File:BrinckBelieveAgainsingle.jpg. The image description page currently specifies that the image is non-free and may only be used on Wikipedia under a claim of fair use. However, the image is currently orphaned, meaning that it is not used in any articles on Wikipedia. If the image was previously in an article, please go to the article and see why it was removed. You may add it back if you think that that will be useful. However, please note that images for which a replacement could be created are not acceptable for use on Wikipedia (see our policy for non-free media).

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Thank you. DASHBot (talk) 05:44, 5 October 2010 (UTC)[reply]

File:Sakis_Ola_Kala_single.jpg[edit]

I have tagged File:Sakis_Ola_Kala_single.jpg as {{orphaned fairuse}}. In order for the image to be kept at Wikipedia, it must be included in at least one article. Otherwise, it will be deleted in seven days. Melesse (talk) 01:25, 18 October 2010 (UTC)[reply]

DYK for Sakis Rouvas Collection[edit]

RlevseTalk 12:03, 18 October 2010 (UTC)[reply]

Parafora[edit]

Hey Greekstar, do you have the retail version of Parafora? It would be nice to clarify if Sakis Rouvas Music still holds, as the Ekdoseis Liberi edition solely states it's under licence by Minos EMI. Also the personnel section should be built up asap if you have the complete liner notes.

I migrated over to typical Western pop tracklisting template (writer/producer) cuz it was the only way to effectively capture the producers as you will see. Before that there were a handful of producers like Soumka missing, as he didn't have 'music/lyric' credit as he isn't a songwriter, so it wasn't very representative of who made the songs. Also some of those tracks that have foreign names for music/lyrics (in fact it's those tracks that have a hybrid "mousiki, stihoi" entry in the liner notes) those are obviously foreign published songs. Those non-Greek names obviously can't possibly contribute toward the Greek lyrics, but they are bundled together precisely 'coz everyone's a writer and that's how music publishers work - song credit publishing splits are not distinguished by music/lyrics, but just general writing, so that's why Minos EMI doesn't know themselves who's the composer and who's the lyricist specifically, so they just bundle together per the publishing convention. Also worth noting is that songwriters on publishing companies have splits indefinitely, so if one goes in and nukes the lyrical component to make new lyrics in a different language, then all the writers (of the original) per publishing get the royalty splits they're entitled to, regardless of who actually penned lyrics or composed a melody, or did both. This is another reason why music publishing doesn't work on the useless music/lyrics system, they're just concern about who will have ownership claims on a song, regardless of what language it's lyrically reinterpreted to in the future. In contrast, the Greek market songs have the usual music and lyrics separation (as Minos EMI has direct local knowledge and since there's no publishing to adhere to for royalty disbursement on Greek repertoire).

Oh and as I'm typing this I realize paragogi: "Sakis Rouvas Music", but it would be nice to know if this is just a colloquialism or if there's still is phonographic licencing (more likely than not anyway). Also check out my clarification of the Ekdoseis Liberi distribution (fixed price per print industry). It's great that Rouvas opted for this scheme instead of licencing to a newspaper, the cheap/tacky way; Instead he expanded his distribution by accessing newspaper channels, and cuz in Greece there's a periptero at every corner, that is sure to increase your distribution access by a million times. And cuz it's not a covermount on a magazine, it stands alone on the kiosk displays so visibility is definitely enhanced. Now of course there's been a few examples of artists who gone this route as well as of late (as in not a covermount, but using print distributor for standalone placement). BTW I began the covermount term on Greek pages after I discovered it on Prince's new European album lolol (I had heard of the term before but it hadn't struck me until now to swap it for Greek "newspaper" release pages.) Thank goodness Rouvas went this more sophisticated route, and didn't give into the bidding pressures of a newspaper for a one-time cash lump sum. He's definitely using the newspaper system but to his advantage for widening distribution only.

Furthermore, per the justification of that IFPIGR IT guy who answers all those fan emails, it would seem that this distribution scheme with Liberis would more likely than not fall under the criteria where their sales would be eligible for IFPI sales tracking. So hopefully if the correct Minos EMI/Liberis sales audits are commissioned and provided that IFPI does not misinterpret (if in fact it really is eligible), then Rouvas might actually get certed really quickly with actual real sales under his belt, unlike in the cases of those wars we have to fight against IP and other ignorant editors that claim newspaper sales as fake certs like on Paparizou lol. Imperatore (talk) 18:41, 15 December 2010 (UTC)[reply]

Kalomoira[edit]

I started a move discussion for Kalomoira after reading your comments on the talk page. It's been a few days and you have not commented in the discussion. Grk1011/Stephen (talk) 14:24, 22 December 2010 (UTC)[reply]

DYK for Parafora (album)[edit]

Materialscientist (talk) 18:03, 23 December 2010 (UTC)[reply]

Contact[edit]

Kalispéra (kai Kalá Xristoúgenna!!!!) fíle GreekStar12,
I'm wondering: have you got Facebook? If so, and if it would please you, I'd like to get in contact with you on that network. You can find me on www.facebook.com/RobBruin
Ánte geiá, Robster1983 (talk) 19:22, 25 December 2010 (UTC)[reply]

Anna Vissi[edit]

"This period marked the beginning of a commercial decline for Vissi into the end of the decade following the success of Kravgi". Where is this assumption coming from? A Despina Vandi forum that posted an article from Eleftheros Typos? To me it seems more like a personal state and should be removed. And also the sales of Apagorevmeno... you claim 27.000 copies "as of 2009". When in 2009? Until the end of the year? Because I doubt it! Also you wrote that every album after Kravgi was a commercial failure. As the article that you used as a source claims it was a bad period for many artists so it was more like a phenomenon that happens until today due to piracy and the so-called crisis. So you shouldn't compare the sales from previous years with the today data. Cause after all due to crisis the sales are still considered a success but yes it's a "failure" if we compare them with album sales 20 years ago --GhostFace1234 (talk) 08:30, 31 December 2010 (UTC)[reply]

I'm actually going to chime in here referring to the "commercial decline" statement seeing as you have used it on a few pages. (along with the related "lowest selling album" in some cases) I don't think its really fair to say these artists had a commercial decline based solely on sales being less than their predecessor releases like you are stating now. It's not artist specific, its industry wide. You cant possibly compare an album from the 90s to today as the certification thresholds have been lowered (multiple times) by IFPI due to market conditions. It's not their fault piracy and the economy have hit sales hard. IFPI has seen that, and lowered the thresholds for those reasons. If anything, if you want to compare albums, their certifications would be a better comparison point. (along with the general success of the singles and the album's reception as well of course) I mean I would understand if you compared sales of two albums released during a period when the thresholds were the same, but this current comparison is ridiculous. This isn't even Vissi, Vandi, Rouvas, etc specific. I challenge you to name on artist (domestic or international) that is selling the same as he/she was in the past in Greece. You can't, because market conditions have deteriorated. And if you want to use statements like "Lowest selling album" at least elaborate on it. Leaving it just as is, makes it seem like the album was a failure when that may not necessarily be the case.Greekboy (talk) 10:37, 31 December 2010 (UTC)[reply]

Ok, firstly, I hope you actually read this and think about it before reacting. When I added that info it was late and I did it quickly so I realize there will need to be some modifications. Secondly, if your main concern about the inclusion of the source is that it was posted to a Vandi forum, even though it is clearly from a reliable national newspaper, then you are grasping at straws because I could easily just source the newspaper itself as the publication information is known, according to WP:Paywall regulations which state a source has to be published not necessarily accessible. I posted from that site as a courtesy to other users who would be interested in reading it. If you are going to take challenge my information, then take the initiative to take out the things you feel are inappropriate and not everything, like specific sales of albums by a reliable secondary source, which clearly trump unreliable primary sources for sales information. Certifications are the worst way to determine an album's success and they are generally disregarded when actual sales are known. Is Hatzigiannis' 7 his best-selling, most hit producing, or most culturally relevant because it was 5x platinum? No. Is Jackson's Bad generally considered to be the most successful of all time because it had the most hits? No. Unless you are going to change the rules of the music industry, success is based 95% on sales and 5% on other elements.
@Greekboy, I've had several personal conversations with you and you have always seemed reluctant to admit that the artists have any personal responsibility for their decline, especially when it comes to Vissi. You shouldn't let personal admiration for an artist take away your ability to see the facts, which are widely cited. Obviously there are various reasons that are only partially responsible for the low sales. There is always something going on in the music industry and generally the world, and you shouldn't get side tracked by recentism. There might be $ crisis and piracy in the past decade, but you forget as well that thresholds in the 90s declined twice from the pre-1990 ones. However, in that decade, especially the second half, did a huge amount of artists (like Sfakianakis, Garbi, Vissi, and Vandi among others) not have some of the most successful albums ever, better than most of the sales of the previous decades? Even in the early 2000s, when the piracy problem had started, did artists like Vandi not acheive astronomic sales of 170-200k? Didnt dozens of artists (Hatzigiannis, Remos, Ploutarhos, Alexiou) sell in the 150k range well into the mid 2000s? So after 2006 six figure sales declined for the majority, but did Hatzigiannis not maintain 120k sales an album into the late 2000s? ie Sfakianakis never matched the sales of 5o Vima (1996) even in that period and X which was released during the same threshold period as Kravgi sold significantly less at 100k. In the early 00s when Sfak and Vissi were selling 100k there were dozens of artists outselling them, same as the mid 00s when they were selling only roughly 40k. Vandi has been declining on every level ever since Gia at a very rapid pace.
The declines of Sfakianakis, Vissi, Vandi, and Garbi, namely, have been heavily cited. Other artists like Paparizou and Theodoridou were also briefly cited as their declines are not that notable of them; for them somewhere in their articles you could write something like they had somewhat of a decline by the late 2000s which was in part due to the condition of the industry. The higher you set the bar the farther you have to fall. Invincible by MJ sold 15M copies worldwide, more than literally 95% of all other albums ever, with almost no promotion, but it is generally regarded as a commercial failure. Wiki is about verifiability, so if a majority of the public view an album as a commercial failure it technically is, li