Soneto 52

O Soneto 52 foi escrito pelo dramaturgo e poeta inglês William Shakespeare e faz parte dos seus 154 sonetos:

So am I as the rich, whose blessed key

Can bring him to his sweet up-locked treasure,

The which he will not every hour survey,

For blunting the fine point of seldom pleasure.

Therefore are feasts so solemn and so rare,

Since, seldom coming, in the long year set,

Like stones of worth they thinly placed are,

Or captain jewels in the carcanet.

So is the time that keeps you as my chest,

Or as the wardrobe which the robe doth hide,

To make some special instant special blest,

By new unfolding his imprison’d pride.

Blessed are you, whose worthiness gives scope,

Being had, to triumph, being lack’d, to hope.[1]

Traduções[editar | editar código-fonte]

Na tradução de Thereza Christina Rocque da Motta:

Serei como o rico, cuja abençoada chave
Conduz ao seu doce e bem guardado tesouro,
Que nem sempre vem admirar
Para não perder o prazer de vê-lo.
Por isso, as festas são tão solenes e raras –
Esparsamente marcadas ao longo do ano,
Como pedras valiosas, delicadamente dispostas,
Ou suntuosas joias incrustadas na tiara.
Assim é o tempo que a mantém junto ao meu peito,
Ou como o guarda-roupa que esconde o vestido,
Para transformar o instante em mais especial ainda
Ao desfolhar novamente seu orgulho aprisionado.
Abençoada sejas, cujo valor ressalta,
Ao ter-te, o triunfo; ao perder-te, a esperança.[2]

Referências[editar | editar código-fonte]

  1. Pooler, C[harles] Knox, ed. (1918). The Works of Shakespeare: Sonnets. Col: The Arden Shakespeare [1st series]. London: Methuen & Company. OCLC 4770201 
  2. Thereza Christina Rocque da Motta (tradutora), SHAKESPEARE, William. 154 Sonetos. Em Comemoração Aos 400 Anos Da 1ª Edição 1609-2009. Editora Ibis Libris, 1ª edição, 2009. ISBN 8578230264
  • Alden, Raymond. The Sonnets of Shakespeare, with Variorum Reading and Commentary. Boston: Houghton-Mifflin, 1916.
  • Baldwin, T. W. On the Literary Genetics of Shakspeare's Sonnets. Urbana: University of Illinois Press, 1950.
  • Booth, Stephen. Shakespeare's Sonnets. New Haven: Yale University Press, 1977.
  • Dowden, Edward. Shakespeare's Sonnets. London, 1881.
  • Hubler, Edwin. The Sense of Shakespeare's Sonnets. Princeton: Princeton University Press, 1952.
  • Schoenfeldt, Michael (2007). The Sonnets: The Cambridge Companion to Shakespeare’s Poetry. Patrick Cheney, Cambridge University Press, Cambridge.
  • Tyler, Thomas (1989). Shakespeare’s Sonnets. London D. Nutt.
  • Vendler, Helen (1997). The Art of Shakespeare's Sonnets. Cambridge: Harvard University Press.
  • Engle, Lars (2007). William Empson and the Sonnets: A Companion to Shakespeare's Sonnets. Blackwell Limited, Malden.
  • Evans, G. Blakemore, Anthony Hecht, (1996). Shakespeare's Sonnets. Cambridge University Press, Cambridge.
  • Hammond, Paul (2002). Figuring Sex Between Men from Shakespeare to Rochester. Clarendon, New York.
  • Hubler, Edwin (1952). The Sense of Shakespeare's Sonnets. Princeton University Press, Princeton.
  • Kerrigan, John (1987). Shakespeare's Sonnets. Penguin, New York.
  • Knights, L. C. (1967). Shakespeare's Sonnets: Elizabethan Poetry. Paul Alpers. Oxford University Press, Oxford.
  • Lopez, Jeremy (2005). Sonnet 35. Greenwood Companion to Shakespeare. pp. 1136-1140.
  • Matz, Robert (2008). The World of Shakespeare's Sonnets: An Introduction. Jefferson, N.C., McFarland & Co..
  • Schoenfeldt, Michael (2007). The Sonnets: The Cambridge Companion to Shakespeare’s Poetry. Patrick Cheney, Cambridge University Press, Cambridge.
  • Tyler, Thomas (1989). Shakespeare’s Sonnets. London D. Nutt.
  • Vendler, Helen (1997). The Art of Shakespeare's Sonnets. Cambridge: Harvard University Press.

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