Rank | Composer | Work | Date |
1 | Handel | Messiah | 1741 |
2 | Vivaldi | The Four Seasons | 1725 |
3 | Allegri | Miserere | 1630s |
4 | Handel | Water Music | 1717 |
5 | Bach, Johann Sebastian | St Matthew Passion, BWV 244 | 1727 |
6 | Pachelbel | Canon and Gigue in D | 1680 |
7 | Purcell | Dido and Aeneas | 1688 |
8 | Handel | Four Coronation Anthems (includes "Zadok the Priest") | 1727 |
9 | Handel | Music for the Royal Fireworks | 1749 |
10 | Tallis | Spem in alium | c. 1570 |
11 | Bach, Johann Sebastian | Concerto for 2 Violins in D minor, BWV 1043 | 1723 |
12 | Bach, Johann Sebastian | Goldberg Variations, BWV 988 | 1741 |
13 | Vivaldi | Gloria, RV 589 | c. 1715 |
14 | Bach, Johann Sebastian | Suite for Solo Cello No. 1, BWV 1007 | early 18th century |
15 | Pergolesi | Stabat Mater | 1736 |
16 | Bach, Johann Sebastian | Brandenburg Concerto No. 3, BWV 1048 | 1721 |
17 | Bach, Johann Sebastian | Herz und Mund und Tat und Leben, BWV 147 (Includes Jesu, Joy of Man's Desiring) | 1723 |
18 | Bach, Johann Sebastian | Mass in B minor | 1749 |
19 | Corelli | Twelve concerti grossi, Op. 6 (includes No. 8, Christmas Concerto) | 1714 |
20 | Monteverdi | Vespers of the Blessed Virgin | 1610 |
21 | Bach, Johann Sebastian | Toccata and Fugue in D minor, BWV 565 | early 18th century |
22 | Bach, Johann Sebastian | Brandenburg Concerto No. 5, BWV 1050 | 1721 |
23 | Handel | Solomon | 1748 |
24 | Bach, Johann Sebastian | Brandenburg Concerto No. 1, BWV 1046 | 1721 |
25 | Bach, Johann Sebastian | The Well-Tempered Clavier | 1722, 1742 |
26 | Anonymous | Greensleeves | 16th century |
27 | Purcell | Come Ye Sons of Art | 1694 |
28 | Handel | Serse | 1738 |
29 | Bach, Johann Sebastian | Brandenburg concerto No. 4, BWV 1049 | 1721 |
30 | Dowland | Lute songs | 1597–1612 |
31 | Bach, Johann Sebastian | Christmas Oratorio, BWV 248 | 1734 |
32 | Handel | Rinaldo | 1711 |
33 | Bach, Johann Sebastian | St John Passion, BWV 245 | 1724 |
34 | Bach, Johann Sebastian | Brandenburg concerto No. 2, BWV 1047 | 1721 |
35 | Bach, Johann Sebastian | Brandenburg concerto No. 6, BWV 1051 | 1721 |
36 | Clarke | Prince of Denmark's March | c. 1700 |
37 | Vivaldi | Concerto for 2 Mandolins in G Major, RV 532 | 18th century |
38 | Handel | Giulio Cesare | 1724 |
39 | Monteverdi | L'incoronazione di Poppea | 1642 |
40 | Bach, Johann Sebastian | Wachet auf, ruft uns die Stimme, BWV 140 | 1731 |
41 | Bach, Johann Sebastian | Was mir behagt, ist nur die muntre Jagd, BWV 208 | 1713 |
42 | Bach, Johann Sebastian | Orchestral Suite No. 3 in D major, BWV 1068 | 1730 |
43 | Monteverdi | L'Orfeo | 1607 |
44 | Handel | Dixit Dominus | 1707 |
45 | Anonymous | O come, O come, Emmanuel | 8th century |
46 | Marais | Pièces de viole (includes "The Bells of St. Genevieve") | 1723 |
47 | Albinoni | Concerto for Oboe in D minor, Op. 9 No. 2 | 1722 |
48 | Handel | Semele | 1743 |
49 | Purcell, Henry | Music for the Funeral of Queen Mary | 1695 |
50 | Bach, Johann Sebastian | Magnificat, BWV 243 | 1723, 1733 |
51 | Anonymous | Coventry Carol | 16th century |
52 | Byrd | Ave verum corpus | 1605 |
53 | Bach, Johann Sebastian | Jesu, der du meine Seele, BWV 78 | 1724 |
54 | Bach, Johann Sebastian | Partita for Violin No. 2, BWV 1004 | early 18th century |
55 | Hildegard of Bingen | Chants for the Feast of St. Ursula | 12th century |
56 | Purcell | The Fairy-Queen | 1692 |
57 | Charpentier | Te Deum | 1692 |
58 | Hildegard of Bingen | Kyrie eleison | 12th century |
59 | Praetorius, Michael | Terpsichore | 1612 |
60 | Bach, Johann Sebastian | Ich habe genug, BWV 82 | 1727 |
61 | Bach, Johann Sebastian | The Art of Fugue | 1750 |
62 | Bach, Carl Philipp Emanuel | Magnificat, Wq215 | 1749 |
63 | Monteverdi | Magnificat Primo | c. 17th century |
64 | Palestrina | Missa Papae Marcelli | c. 1562 |
65 | Purcell, Henry | Trumpet Tune and Air | late 17th century |
66 | Handel | Judas Maccabaeus (includes "See, the Conqu’ring Hero Comes!") | 1746 |
67 | Bach, Johann Sebastian (actually Stölzel) | Bist du bei mir (Notebook for Anna Magdalena Bach) | c. 1718 |
68 | Bach, Johann Sebastian | Cello Suite No. 3, BWV 1009 | early 18th century |
69 | Bach, Johann Sebastian | Toccata and Fugue in D minor ("Dorian"), BWV 538 | early 18th century |
70 | Bach, Johann Sebastian | Concerto for Violin in A minor, BWV 1041 | early 18th century |
71 | Telemann | Concerto for Trumpet in D | 18th century |
72 | Handel | Concerti grossi, Op. 6 | 1739 |
73 | Handel | Harpsichord Suite in E, HWV 430 (includes The Harmonious Blacksmith) | 1720 |
74 | Bach, Johann Sebastian | Cello Suite No. 6, BWV 1012 | early 18th century |
75 | Corelli | 12 Sonatas, Op 5 (includes No 12, "La Folia") | 1700 |
76 | Telemann | Tafelmusik | 1733 |
77 | Bach, Johann Sebastian | Cello Suite No. 2, BWV 1008 | early 18th century |
78 | Vivaldi | Concerto for Lute or Mandolin in D Major RV 93 | 18th century |
79 | Palestrina | Stabat Mater in 8 parts | 16th century |
80 | Byrd | Mass for Four Voices | 1593–1594 |
81 | Rameau | Les Indes galantes | 1735 |
82 | Handel | Alcina | 1735 |
83 | Vivaldi | Stabat Mater, RV 621 | 1727 |
84 | Purcell | Rejoice in the Lord alway[3] | late 17th century |
85 | Vivaldi | Concerto for two trumpets in C, RV 537 | early 18th century |
86 | Monteverdi | Eight Books of Madrigals | 1587–1638 |
87 | Handel | Ode for St. Cecilia's Day | 1739 |
88 | Tartini | Devil's Trill Sonata | early 18th century |
89 | Lully | Le Bourgeois gentilhomme | 1670 |
90 | Bach, Johann Sebastian | Passacaglia and Fugue in C minor, BWV 582 | early 18th century |
91 | Vivaldi | Dixit Dominus, RV 594 | early 18th century |
92 | Couperin, François | Pièces de Clavecin, book 2 | 1717 |
93 | Bach, Johann Sebastian | Concerto for Violin in E major, BWV 1042 | early 18th century |
94 | Byrd | Mass for Five Voices | 1594–1595 |
95 | Albinoni | Concerto for Oboe in B-flat, Op. 9 No. 11 | 1722 |
96 | Bach, Johann Sebastian | Partitas for keyboard, BWV 825–830 | 1731 |
97 | Anonymous | Llibre Vermell de Montserrat | 14th century |
98 | Heinrich Ignaz Franz Biber | Rosary Sonatas (including Passacaglia) | late 17th century |
99 | Albinoni | Concerto for Two Oboes in G, Op. 9 No. 6 | 1722 |
100 | Anonymous | Sumer is icumen in | mid 13th century |