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|Education||B.F.A. 1987, Cooper Union, New York, NY; 1988, New York Academy of Art, New York, NY|
|Known for||Painting, Sculpture,|
|Awards||the Princess Grace Foundation award for contemporary art|
Will Cotton (born 1965 in Melrose, Massachusetts, U.S.) is an American painter. His work primarily features landscapes composed of sweets, often inhabited by human subjects. Will Cotton lives and works in New York City.
Cotton's works from the 1990s depicted pop icons sourced from contemporary advertisements such as the Nestlé Quick bunny - directly referencing visual modes aimed at evoking desire. Cotton described his early works in a 2008 interview, saying "My initial impulse to make these paintings really came out of an awareness of the commercial consumer landscape that we live in. Every day we're bombarded with hundreds, if not thousands of messages designed specifically to incite desire within us."
In 1996, Cotton began to develop an iconography in which the landscape itself became an object of desire. The paintings often feature scenery made up entirely of pastries, candy and melting ice cream. He creates elaborate maquettes of these settings from real baked goods made in his Manhattan studio as a visual source for the final works. Since about 2002, nude or nearly nude pinup-style models have occasionally populated these candy-land scenes. As in the past, the works project a tactile indulgence in fanciful glut. The female characters are icons of indulgence and languor, reflecting the feel of the landscape itself. "These paintings are all about a very specific place," says Cotton, "It's a utopia where all desire is fulfilled all the time, meaning ultimately that there can be no desire, as there is no desire without lack."
Interested in cultural iconography, Cotton's art makes use of the common language of consumer culture shared across geographical boundaries. He considers the visual threads in his work, drawn from imagery ranging from the Candy Land board game and gingerbread houses to pinup art and cotton candy, to be part of the popular culture lexicon. Cotton’s work also builds upon and updates the idea of land of milk and honey in European literature and art. Cotton states “The dream of paradise, of a land of plenty, is a thread that runs through all of human history, not just in the affluent times but in fact very often in the lean as well.” He has also been inspired by painters Frederic Edwin Church, François Boucher and Fragonard, the photographer Carleton Watkins, as well as pin-up painters such as Gil Elvgren. Of his landscape painting influences, Cotton says,
I was initially drawn to the Hudson River School when I learned that many of the paintings were made specifically to incite a feeling of awe and a desire to experience the new frontier. This struck me as a particularly American kind of propagandist message that I wanted to reference in my paintings. I love the idea of showing ... what it might be like to experience such a place. —Will Cotton
Will Cotton has exhibited throughout the United States and Europe. He was represented by Mary Boone Gallery, New York, from 2000 until the gallery's closure in 2019. He is currently represented by Baldwin Gallery, Aspen, Colorado; Michael Kohn Gallery, Los Angeles; Galerie Daniel Templon, Paris, France, and Jablonka Galerie, Cologne, Germany. His works have also been exhibited at the San Francisco Museum of Modern Art (2000); the Seattle Art Museum (2002), the Kunsthalle Bielefeld, Germany (2004); the Hudson River Museum (2007); the Triennale di Milano, Italy (2007) the Musée Marmottan Monet, Paris (2008), the Orlando Museum of Art, and the Museo Nacional de Bellas Artes, Havana.
In 2004 he received the Princess Grace Foundation award for contemporary art in Monaco. Will Cotton was awarded an honorary Doctorate from the New York Academy of Art where he was a senior critic in 2012.
Cotton installed a pop-up (model) French bakery art installation at Partners & Spade in Manhattan, New York. Confections and baked goods the artist used for visual reference were baked on site and were for sale over three weekends in November 2009. Bakery staff were fitted with custom-made tiaras of the kind Cotton paints atop the heads of many women in his paintings.
- Baldwin Gallery (2008). Will Cotton. ISBN 0-9671449-9-X
- Lindquist, Greg, Will Cotton, artcritical.com, 2008-1-22. Accessed 2012-6-20.
- "Saatchi Online Magazine : News and Updates for Art Lovers". Saatchi-gallery.co.uk. Retrieved 2011-08-11.
- Moynihan, Colin (2019-02-25). "Mary Boone to Close Her Galleries as She Heads to Prison". The New York Times.
- "Artists Reflect on Mary Boone's Legacy a Year after Her Prison Sentencing". 2020-01-28.
- "Will Cotton | OMA Exhibitions".
- "Will Cotton | Smithsonian American Art Museum".
- Honigman, Ana Finel, Will Cotton's Candy-Coated Dreams, The Daily Beast, thedailybeast.com, 2009-11-4. Accessed 2011-8-11.
- "Cotton and Katy Perry".
- "IMPRESSIONS OF: Performa 2011 (The 3rd and Final Episode)".