Wilhelm Willinger

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Maurus (Mor) Wilhelm (Vilmos) Willinger (9 April 1879 – 29 January 1943) was an Austrian/Hungarian photographer who is best known for his portraits of actors of the early silent film era in Berlin.[1]

Life[edit]

Willinger was born in Budapest, Austria-Hungary, and lived there until 1900. From 1902 to 1918, he ran a photo agency in Berlin while maintaining a studio at Orczy út 8 in Pest. He married Margarethe (who ran the darkroom)[2] and they had a son László Willinger (1909–1989) who also became a portrait photographer. In Berlin he was registered in W 30 at Schwäbische Straße 8.[1]

During the First World War, Willinger was an Honvéd officer in the Austro-Hungarian Army.

After the war, in 1919, he established a studio in Vienna together with Hans Schnapper. In 1921, Schnapper left the studio and Willinger became the sole owner. The Willinger & Schnapper company was located in Kärntnerstraße 28 in the First District of Vienna and remained at that address until 1938 when it was taken over by Adolf Hitler's photographer Heinrich Hoffmann.[3] At one point the studio was one of the largest in Vienna with 30 employees.[2] The photo archive was confiscated by the Gestapo soon after 13 March 1938 and apparently dispatched to the Reichspropagandamt [Reich Propaganda Agency] in Berlin later on.[4]

During his time in Vienna, Willinger founded the Organisation der Wiener Presse (Organization of the Vienna Press) with various other photographers in 1924. In 1930 he took over part of the company R. Lechner (Wilhelm Müller) and turned it into the agency for Austrian press pictures Willinger & Lechner. Later he founded the together with Leo Ernst and Friedrich Cesanek sales company Austrophot – Willinger, Ernst & Cesanek.[3]

Eventually, the Atelier Willinger operated in Berlin, Vienna and Paris. The Berlin branch operated from 1920 to 1934 under the name of his wife, Margarete Willinger. It was located at Dorotheenstrasse 72 or 60, and (from 1932 to 1934) at Fasanstrasse 68. Their son also worked in several branches of the studio (Paris & Berlin).[3]

Willinger's work shows a wide variety of motifs and events. He photographed "role portraits" of stage actors, scenes from stage plays and portraits. His photographs can be found in various magazines, newspapers, as well as in books.[3] Court documents from a case in Vienna in 1926 show his marital status as "divorced".

Exile and death[edit]

Willinger left Vienna in 1938. He emigrated to Shanghai and was able to ship his photographic equipment with him, where from 1940 he ran his studio, Willinger & Co Shanghai, at 11 Nanking Road.[1]

  • Photos
  • Margit Bokor (1903–1949)
    Margit Bokor (1903–1949)
  • The Wilnauer Troop, Vienna (1922)
    The Wilnauer Troop, Vienna (1922)
  • The Jewish League for Austria, 1926
    The Jewish League for Austria, 1926
  • Anton Edthofer (1883–1971) in 1933
    Anton Edthofer (1883–1971) in 1933
  • Paul Stefan (1879–1943)
    Paul Stefan (1879–1943)
  • Imre Kálmán
    Imre Kálmán

References[edit]

  1. ^ a b c Greif, Milena (2004). "Die Geschichte der Wiener Fotoagentur Willinger und ihr verschwundener Bestand". Rundbrief Fotografie, N. F. 43, Jahrgang 11, Nr. 3 Vom 15. September 2004.
  2. ^ a b Übersee. Flucht und Emigration österreichischer Fotografen 1920–1940 – a catalogue. Kunsthalle, Vienna. 1997.
  3. ^ a b c d Benito-Sanchez, Samanta (2009). "Pressefotografen zwischen den Weltkriegen. Eine Biografiensammlung von Pressefotografen, die zwischen 1918 und 1939 in Wien tätig waren, Dipl. Wien" (PDF). Retrieved 5 June 2020.
  4. ^ SIXTH REPORT OF THE FEDERAL MINISTER FOR EDUCATION, SCIENCE AND CULTURE TO THE NATIONALRAT [LOWER CHAMBER OF THE AUSTRIAN PARLIAMENT] ON THE RESTITUTION OF ART OBJECTS FROM AUSTRIAN FEDERAL MUSEUMS AND COLLECTIONS. April 2003.

Further reading[edit]

  • Das Magazin, Verlag Dr. Eysler & Co., Heft Nr. 66, Berlin/Dresden, Febr. 1930
  • Das deutsche Lichtbild. Jahresschau 1931. Dem verdienten Forscher auf den Gebieten der angewanden und wissenschaftlichen Photographie Seiner Exzellenz Feldmarschallleutnant Dr. h.c. Arthur Freiherrn von Hübl in herzlicher Dankbarkeit und aufrichtiger Verehrung gewidmet.
  • Das deutsche Lichtbild. Jahresschau 1933. [Vorwort "Wie sieht der Fotograf? Gespräch zwischen Raoul Hausmann und Werner Gräff, Berlin"].
  • Ausst.Kat. Geschichte der Fotografie in Österreich, Bad Ischl 1983, Bd.II, S. 193–194
  • Reinhard Matz/Wolfgang Vollmer, Köln vor dem Krieg – Leben, Kultur, Stadt 1880–1940, Greven Verlag, Cologne, 2012, ISBN 978-3-7743-0482-6
  • Monika Faber/Magdalena Vulkovic (Hg.), Tanz der Hände, Tilly Losch und Hedy Pfundmayr in Fotografien 1920–1935, New Academic Press, Vienna, 2013
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