Anthony Barnett (poet)

Anthony Barnett
BornAnthony Peter John Barnett
London, England
OccupationPoet, essayist, publisher, music historian

Anthony Barnett is an English poet, essayist and music historian.

Literary works[edit]

Barnett's volumes of poetry and short prose include collected Poems &,[1] collected Translations,[2] Translations Addenda,[3] Lithos,[4] The Making of a Story,[5] Like Those of an Eerie Ruin,[6] Book Paradise: Spillikins (with drawings by Lucy Rose Cunningham).[7] Antonyms Anew: Barbs & Loves is a collection of critical essays.[8] He was the publisher of the first edition of J. H. Prynne’s collected Poems (1982), and edited Veronica Forrest-Thomson's Collected Poems and Translations (1990) and Collected Poems (2008). Barnett's work is represented in the anthologies A Various Art; Poets on Writing: Britain, 1970–1991; Other: British and Irish Poetry since 1970; Cambridge University Press Contexts in Literature Contemporary Poetry: Poets and Poetry Since 1990. His translations include Ryūnosuke Akutagawa, Anne-Marie Albiach, Roger Giroux, Pär Lagerkvist, Tarjei Vesaas, Andrea Zanzotto. Separate books of translation include Osip Mandelstam, Whoever Has Found a Horseshoe, with drawings by Lucy Rose Cunningham (2023),[9] and Elsa Morante, Alibi, with paintings and drawings by Monica Ferrando (2024).[10] In 2002 he was visiting scholar at the Center for International Programs, Meiji University, Tokyo. The lecture he gave there is published as InExperience and UnCommon Sense in Translation.[11] He co-edits and publishes the literary, music and arts journal Snow lit rev (from 2013).[12] His one-act play The Literature Director, lampooning the British Council and the English Arts Council, written in 2012, was posted online in 2023 at Fortnightly Review.

Music works[edit]

He has worked as a percussionist, notably with John Tchicai.[13] Barnett has written extensively on African-American violinists, in particular Stuff Smith: Desert Sands, Eddie South: Black Gypsy, Juice Wilson: Fallen from the Moon: Robert Edward Juice Wilson: His Life on Earth: A Dossier. He produces CDs on his AB Fable Violin Improvisation Studies label, and for other labels. He is the author of Listening for Henry Crowder: A Monograph on His Almost Lost Music (Allardyce Book, 2007), about the pianist consort of Nancy Cunard. UnNatural Music: John Lennon & Yoko Ono in Cambridge 1969 is his account of the circumstances surrounding their appearance at the Natural Music concert, which he produced.[14]

References[edit]

  1. ^ Barnett, Anthony (2012). Poems &. Allardyce Book ABP.
  2. ^ Barnett, Anthony (2012). Translations. Allardyce Book ABP.
  3. ^ Barnett, Anthony (2023). Translations Addenda. Allardyce Book ABP.
  4. ^ Barnett, Anthony (2017). Lithos. Allardyce Book ABP.
  5. ^ Barnett, Anthony (2018). The Making of a Story. Allardyce Book ABP.
  6. ^ Barnett, Anthony (2019). Like Those of an Eerie Ruin. Allardyce Book ABP.
  7. ^ Barnett, Anthony (2021). Book Paradise: Spillikins. Allardyce Book ABP.
  8. ^ Barnett, Anthony (2016). Antonyms Anew: Barbs & Loves. Allardyce Book ABP.
  9. ^ Mandelstam, Osip (2023). Whoever Has Found a Horseshoe. Allardyce Book ABP.
  10. ^ Morante, Elsa (2024). Alibi. Allardyce Book ABP.
  11. ^ Barnett, Anthony (2014). InExperience and UnCommon Sense in Translation. Allardyce Book ABP.
  12. ^ Snow lit rev, http://www.abar.net/snow.pdf
  13. ^ "Barnett, Anthony (Peter John)". Encyclopedia of Jazz Musicians. Archived from the original on 22 March 2016.
  14. ^ Barnett, Anthony (2016). UnNatural Music: John Lennon & Yoko Ono in Cambridge 1969. Allardyce Book ABP.

Further reading[edit]

  • Brinton, Ian (Autumn 2012). "'Gut Strong—Bone Strong', review of Poems & and Translations". Poetry Review. 102 (3).
  • Harris, Timothy (July–August 2013). "'Loosed and Lost in Tongues', review of Poems & and Translations". PN Review (212).
  • Kalck, Xavier (2015). "'Who Am I to Say? How Little': Anthony Barnett's Citations followed on". In Lang, Abigail; Smith, D. N. (eds.). Modernist Legacies: Trends and Faultlines in British Poetry Today. Palgrave Macmillan. ISBN 978-1-137-48875-6.
  • Herd, David (March–April 2016). "Declining National Culture: The Dislocated Poetics of A Various Art". PN Review (228).

External links[edit]